Hamish the highland bull


This is Hamish the Highland Bull we met last fall. He lives in this field in a village called Callander in Killmahog, Scotland. Nearby is a 250-year-old mill with original water wheel. Because meals are served all day, lots of travel coaches loaded with visitors stop here; consequently Hamish is probably one of the most photographed bulls in the world . . . and that’s no bull! (Sorry, ‘couldn’t help myself!  🙂 ) If you’ve got euros burning a hole in your pocket, the Trossachs Wollenmill is adjacent. You can easily drop a few hundred euros in five minutes or less; it’s so easy to get carried away by all that wool.

For the Romantic among you, according to the United Kingdom Travel Blog, Hamish is supposed to have a wife named Heather and a daughter called Honey. You can read more here directly from the site if you’d like. I don’t remember seeing Heather or Honey myself but then I didn’t look for them. They may have been there. The only purpose of this photograph–besides the fact I love to take pictures of animals–is to have an excuse to show it to you and at the same time introduce you to a contemporary poet who inspires me with his simple and direct approach to writing poetry. Anyone who’s ever lived near cows–and probably those who haven’t as well–will appreciate the picture Billy paints here. I may get around to writing a poem myself some day.

AFTERNOON WITH IRISH COWS
by Billy Collins

There were a few dozen who occupied the field
across the road from where we lived,
stepping all day from tuft to tuft,
their big heads down in the soft grass,
though I would sometimes pass a window
and look out to see the field suddenly empty
as if they had taken wing, flown off to another country.

Then later, I would open the blue front door,
and again the field would be full of their munching
or they would be lying down
on the black-and-white maps of their sides,
facing in all directions, waiting for rain.
How mysterious, how patient and dumbfounded
they appear in the long quiet of the afternoon.

But every once in a while, one of them
would let out a sound so phenomenal
that I would put down the paper
or the knife I was cutting an apple with
and walk across the road to the stone wall
to see which one of them was being torched
or pierced through the side with a long spear.

Yes, it sounded like pain until I could see
the noisy one, anchored there on all fours,
her neck outstretched, her bellowing head
laboring upward as she gave voice
to the rising, full-bodied cry
that began in the darkness of her belly
and echoed up through her bowed ribs into her gaping mouth.

Then I knew that she was only announcing
the large, unadulterated cowness of herself,
pouring out the ancient apologia of her kind
to all the green fields and the gray clouds,
to the limestone hills and the inlet of the blue bay,
while she regarded my head and shoulders
above the wall with one wild, shocking eye.

 

meandering along a country lane in Nashik

Remember that old saying You can take the girl out of the country, but you can’t take the country out of the girl! As far as I’m concerned, it’s one-hundred-percent true. Ever since I began this series on India 2011, I’ve been looking forward to posting these views of a very different kind of India than the one I’ve shown you so far. It’s great to take your pilgrimages to religious temples and historic monuments, but for a very long time I wondered–where do Indians go to just get away from the proverbial rat race? Well, now I know, so I refuse to apologize for featuring these lovely village and country scenes before even telling you about the vineyard that brought us here in the first place. For now I’ll put the cart in front of the horse and save the talk about wines and all that and instead talk about the perfect getaway from crowds and traffic in Bombay.

Though we only have two days left before we leave Bombay for New York, Raghu planned a wonderful excursion that took us to Nashik, in Maharashtra State (incidentally, Bombay’s the capitol city). It’s about 180 kms away (or about 112 miles). Due to the roads and the heavy traffic getting out of Bombay, that isn’t exactly a day trip; it takes about six hours by automobile, so we’d be staying overnight. Nashik is considered India’s greenbelt and top producer of grapes (wine country), onions and tomatoes, and varieties of fruits and vegetables. It’s also where the nation’s currency and stamps printer, the Security Printing Press, is located. Incidentally, Hubby’s father was the Director of the Stamps Press in Nashik during the last three years of his career. One other tidbit you may enjoy: According to the Ramayana Hindu epic, it was Nashik’s forests where Lord Rama hid out during his 14 years of exile after killing the demon king–the one that stole Sita, I presume.  Even though it’s one of the fastest growing cities in India, there’s still room here to breathe.

And talk about breathing room! We arrived at the Sula Winery mid-afternoon. After checking into our rooms, and sharing a tray of cheese and crackers washed down with glasses of wine on the dining room veranda, it seemed the perfect time take a late afternoon, leg-stretching, walk to explore. Tomorrow we’d tour the winery and sample the wines.

Right away we come upon a cow. I wasn’t afraid as we approached, but kept a respectful distance all the same. The cow and I “eyeball” each other as we pass. I’m not sure who was more nervous, me or the cow. At least I wasn’t thinking about cobras at this point. Raghu shared with me that he thinks that cows are awesome creatures and there is nothing more peaceful than seeing a cow resting under tree looking very contented. As a country girl who practically grew up with cows, I had to agree. Both of us, dedicated amateur photographers that we are, snapped away with our cameras, I with my point and shoot canon, he with his much more sophisticated, albeit heavier, single lens reflex digital.

What could be more appealing or more restful than lakes and mountains in near perfect weather conditions . . . and could that be a bird swooping down on that tree limb? I was so busy looking at the cow I didn’t notice.

Add to that puzzle another bit of mystery–how did this USA 385 Speed Bot come to rest in this pasture in India? There has to be a story there, don’t you think?

Ditto for this little objet d´art.  It’s deceptively large in the picture. Actually it was quite small, probably about three inches long, and stitched from a gray-colored heavy canvas fabric with painted features and filled with some sort stuffing. It’s an interesting little relic and could be anything. A religious symbol of some sort? Voodoo doll? A pagan or religious amulet? Fetish doll? Most probably it’s a homemade doll some poor village child lost. Looks can be deceiving though. It’s either very frightened or very mean. Look at that mouth! I left it where it was for the next tourist to ponder.

With these kinds of vibes in the air, I must confess I wasn’t exactly unmindful of the fact that there might be cobras lurking about. I had read in the local paper from the hotel that cobras are quite common in the area. There was even a story about a resident living on the road we were on during the drive had reported one in his yard just the day before. And the sun was beginning to sink below the hills.

And then we were approaching this interesting looking structure I’d had my eye on for awhile during the walk. I asked Raghu if he knew what it was used for. Indeed he did. It’s an open-air funeral pyre Hindus use for cremating their dead. Traditionally located near a body of water (there’s just a glimpse on the right just below the tree branches), a pyre is prepared with piles of wood stacked on the concrete stage you see here.

 The body, laid out on a stretcher, is then placed on top, feet facing south (so that it can walk in the direction of the dead). The chief mourner–usually the eldest son–facing south, walks around the pyre three times, sprinkling water and ghee. He then lights the pyre with a flaming torch. After the fire consumes the body, which usually takes several hours, the mourners return home, and the entire family must then have a bath, and begin a period of mourning lasting 12 days during which the family is subject to many rules and rituals. One or two days after the funeral, the chief mourner returns to the cremation ground to collect the remains in an urn to be immersed in a river. I tried to imagine what it would be like to attend a cremation ritual as a member of the family. I was mightily relieved when Raghu informed me that only men attend the actual pyre–women and children remain at home.

You may be thinking how barbaric. However, Christian burial–when it comes right down to it–is no less barbaric. Growing up in the southern U.S., where children usually attended funerals at an early age (at least in my community), I always worried as a child What if Aunt Harriet really wasn’t dead, just in a deep sleep or in coma? How horrendous if they woke up later and found themselves in a box in a pitch black grave. I think I’d just as soon be torched as be buried in the ground.
And here’s the edge of nearby lake just to the right of the funeral pyre.

And as dusk approaches, more cows standing nearby in that peaceable kingdom may have all the answers to all the deep complexities of life and death. But they’re not saying anything. 

Well, we haven’t seen any cobras yet, and here’s a paved road home, or at least back to our rooms at the Sula BEYOND, so we elect to head back that way instead of crossing the fields in darkness.

On the way, we pass this pretty girl from a nearby farm, a perfect Kodak moment if I ever saw one.  I ask and get permission to take a photograph–and get at least two shots in as quickly as possible. (Okay, I admit that I had to do a little adjustments with the light setting because it was nearly dark by the time I took these pictures. I think they turned out well in spite of myself.)

Just today I was reading the new PEOPLE magazine, in which the “fairy-tale” wedding pictures of celebrity-for-no-reason Kim Kardashian were featured. The bride was perfectly made up with diamonds worth millions of dollars from head to toe. She was lovely of course. But may I say, no matter how much money she makes just for being the daughter of a famous dead fashion designer, she (Kim Kardashian) can’t hold a candle to the natural beauty of this simple village girl.

Finally, nearly everyday here along the Wasatch front in Utah, U.S.A., we’re treated to a wonderful sunset. Here’s what that same old sun does on the other side of the world. It’s my National Geographic moment. And look! More cows!


(Next time we’ll take a look at the winery and learn a little about the wines themselves.)

Postscript:  Daughter, S-I-L, Hubby and I enjoyed another Margarita evening on Thursday of this week. One year after the completion of my chemo- and radiation-treatments at Huntsman Cancer Institute, my scans are still clean. Happy to report we’re still living happily with NED.