all the world’s a stage . . .

I’ve said over and over again to whoever paid attention that the key to appreciating life lies in your own attitude. After hearing a line affirming that fact in the movie reviewed in my previous post, I can’t think of anything offhand that doesn’t depend on what we choose to bring to the experience. I thought about it as I was driving home yesterday from a meeting of my new writing club. One of the members, Polly, is a petite, silver-haired senior in her eighties. She’s one of those charismatic people I think of as born story tellers. Though she doesn’t call undue attention to herself in a crowd, as you get to know her you realize she’s not sleep walking through life, she’s always living an adventure. I always say to her after a long absence, what new adventures do you have to share with me, Polly, and she always has at least one. It may be how she decided to get out the step ladder and fix that malfunctioning security alarm system herself. After struggling with screwdrivers and socket wrenches and the sort, she soon felt frustrated enough to call the people who designed the system and ask them to walk her through it–what color wire goes here, etc.–so she could fix it herself rather than calling on her busy adult son. Then there were the trips she’s taken with her grandchildren–two so far, involving three adult grandchildren–and the beautiful stories of their serendipitous adventures together. I’ve no doubt traveling as adults with their grandmother–with an age-span of 60+ years–has surely given them a much larger picture of graceful aging than society does in general. In fact, I began to realize early on that Polly sees the world much differently than I. Being a former dancer and teacher with a flair for drama, Polly’s world comes choreographed where mine comes with stories.

I love the occasional glimpse into the world as others see it, and I get that opportunity–seeing Polly’s choreographed world–regularly at our monthly writer’s meeting.  Yesterday, when she shared two more adventures, I suggested she should be sharing with a wider audience than the four of us at the meeting, but she demurred suggesting a certain aversion to computers in general. So I begged, and she graciously agreed to be my guest blogger for today’s Wintersong. I hope my readers will be inspired through it to take a second look at ordinary people on an ordinary day. After all, wasn’t it Shakespeare who said All the world’s a stage, and all the men and women merely players. 

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When discussing a good way to get an idea for a story, one of our writing group members suggested that we go to a restaurant and sit close to others in order to listen to bits of conversation. When shopping at Costco the other day, I decided to have lunch. I forgot about sitting close to others and, as is my habit, sat as far away as possible from others. I could not hear any conversations–just the general cacophony of the crowd. In watching those around me, I began to be intrigued by an elderly couple who came into view.

When the gentleman started to sit down, his wife–with a sweeping gesture of her arm and index finger–pointed to another place, he raised himself and went to the spot she had designated. Right away we know she is “Mrs. Take Charge.” He then took something from his pocket–a Kleenex, a rag or a handkerchief, not sure which–and proceeded to clean his eating area with a rotating motion; first it was clockwise and then counterclockwise. She sat down across from him, but not for long. She popped up in jumping-jack fashion, turned away from him toward what I saw were the free napkins, and darted across the room. She returned with a wad of napkins. Standing in front of her plate, she began pressing the top of her meal with a handful. She pressed and released, pressed and released; it was similar to a plié and releve at a ballet barre. I think she was squeezing the grease from her meal while her husband continued to clean his area of the table. I watched their gestures–she, going down and up; he still going in a circular motion–as if I were watching a dance recital. That was just one table.

When glancing to the right there was another table, this one with a large family. Their gaggle of small children were like a pail of worms on fast forward. Under the bench and around the table, back and forth they’d go. Every once in awhile one would stop and cling to a parent. There was a constant and rapid circulation of little people. Here I am in this scene, watching Mrs. Take Charge and her obedient spouse, and the squirming children. Out of the blue comes a woman with big thighs and breasts laboriously pushing her heavy cart. She flopped down into a seat, exhausted from the effort of managing her cart and huge self. All I could think of was that out of this scene there was an idea  for a new dance! To think, one eight-inch all-beef hot dog on a roll topped with sauerkraut with a 16 ounce drink–my lunch–and all it had cost me was $1.50! The “extra” was watching what strikes me now as the makings of a dance program. And the show was all free!

thank heaven for little girls

Walter Dean Myers is an African-American author of young adult literature, but at least one of his books, FALLEN ANGELS, a coming-of-age novel set in Vietnam, was placed on The American Library Association’s list of frequently challenged books because of its adult language and realistic depiction of the war. He’s a prolific author of more than 50 books, including non-fiction and the book of photographs and verse from which today’s featured verse appeared in 1993. I like it because it’s such a dead-on portrait of a child and makes me think of my granddaughter who will soon turn seven. She’s been giggling from an early age, just as little girls should.

Jeannie Had a Giggle

by Walter Dean Myers

Jeannie had a giggle just beneath her toes
She gave a little wiggle and up her leg it rose

She tried to grab the giggle as it shimmied past her knees
But it slid right past her fingers with a “‘scuse me if you please”

It slipped around her middle, it made her jump and shout
Jeannie wanted that giggle in, that giggle wanted out!

Jeannie closed her mouth, but then she heard a funny sound
As out that silly giggle flew and jumped down to the ground

Jeannie caught it with her foot just beneath her toe
She gave a little wiggle and up her leg it rose

Hamish the highland bull


This is Hamish the Highland Bull we met last fall. He lives in this field in a village called Callander in Killmahog, Scotland. Nearby is a 250-year-old mill with original water wheel. Because meals are served all day, lots of travel coaches loaded with visitors stop here; consequently Hamish is probably one of the most photographed bulls in the world . . . and that’s no bull! (Sorry, ‘couldn’t help myself!  🙂 ) If you’ve got euros burning a hole in your pocket, the Trossachs Wollenmill is adjacent. You can easily drop a few hundred euros in five minutes or less; it’s so easy to get carried away by all that wool.

For the Romantic among you, according to the United Kingdom Travel Blog, Hamish is supposed to have a wife named Heather and a daughter called Honey. You can read more here directly from the site if you’d like. I don’t remember seeing Heather or Honey myself but then I didn’t look for them. They may have been there. The only purpose of this photograph–besides the fact I love to take pictures of animals–is to have an excuse to show it to you and at the same time introduce you to a contemporary poet who inspires me with his simple and direct approach to writing poetry. Anyone who’s ever lived near cows–and probably those who haven’t as well–will appreciate the picture Billy paints here. I may get around to writing a poem myself some day.

AFTERNOON WITH IRISH COWS
by Billy Collins

There were a few dozen who occupied the field
across the road from where we lived,
stepping all day from tuft to tuft,
their big heads down in the soft grass,
though I would sometimes pass a window
and look out to see the field suddenly empty
as if they had taken wing, flown off to another country.

Then later, I would open the blue front door,
and again the field would be full of their munching
or they would be lying down
on the black-and-white maps of their sides,
facing in all directions, waiting for rain.
How mysterious, how patient and dumbfounded
they appear in the long quiet of the afternoon.

But every once in a while, one of them
would let out a sound so phenomenal
that I would put down the paper
or the knife I was cutting an apple with
and walk across the road to the stone wall
to see which one of them was being torched
or pierced through the side with a long spear.

Yes, it sounded like pain until I could see
the noisy one, anchored there on all fours,
her neck outstretched, her bellowing head
laboring upward as she gave voice
to the rising, full-bodied cry
that began in the darkness of her belly
and echoed up through her bowed ribs into her gaping mouth.

Then I knew that she was only announcing
the large, unadulterated cowness of herself,
pouring out the ancient apologia of her kind
to all the green fields and the gray clouds,
to the limestone hills and the inlet of the blue bay,
while she regarded my head and shoulders
above the wall with one wild, shocking eye.