a movie for mature audiences

I’ve written a good bit on my own travels to India, and many readers expressed quite a bit of interest over the years. No matter what words you use, however, I’ve always regretted that it’s impossible to convey what India is without being able to share the sounds, the colors, the chaos–the wonder–that India is. Hubby and I recently attended a pre-viewing of a wonderful movie that can change that a little, and I want to share it with my readers here. We’re members of a preview audience of movie lovers who are invited to pre-view current movies for free a few days or weeks before their opening dates. It costs us nothing but a few hours of our time plus whatever gas the car uses to get to the theater. All we have to do is give electronic feedback afterwards. It’s a pretty good deal, and out of the nearly dozen movies we’ve pre-viewed I’ve only seen one bomb, at least for my mature age group, and that was American Reunion. There is more to life, after all, than horny sex and bathroom pranks.

The Best Exotic Marigold Hotel opened in England the end of February. On May 4 it will open in movie theaters around the United States. An assorted group of English pensioners facing uncertain economic circumstances in their retirement (portrayed by an admirable lineup of mature actors: Judi Dench, Bill Nighy, Maggie Smith, Tom Wilkinson, Penelope Wilton, Celia Imrie and Ronald Pickup), are  enticed by advertisements for THE BEST EXOTIC MARIGOLD HOTEL, a seemingly luxurious sanctuary for “the elderly and beautiful” in Jaipur, India. Their retirement takes an unconventional turn when, upon arrival, they discover that the hotel falls somewhat short of the romantic idyll promised in the brochure. Most are gradually won over by the ever-optimistic young manager Sonny (Dev Patel from SLUMDOG MILLIONAIRE), who has troubles of his own. They tentatively embark on this new adventure, and most find that life can begin again when you let go of the past. The cinematography beautifully conveys the culture shock any westerner will probably feel in any (so-called) third-world country they encounter for the first time. You’ll also vicariously experience the chaotic sights and sound and color–just about everything but the smells (good or bad), and even those are easier to imagine (!) afterwards then anything I’ve ever been able to share through my writing.

So if you or your friends have ever entertained the idea of visiting India yourself someday, or even if you know you’ll never be able to afford that kind of adventure in real life or even desire it, I urge you to go in reel life by seeing this movie. If you watched the trailer above, you  may have picked up on a couple of lines that sum up pretty well my feelings about India. The first is from Sonny, the manager, as he’s fond of saying throughout,  “Everything will be all right at the end,” implying that if things aren’t all right yet, then it isn’t the end yet. The other memorable line is by Judy Dench. “India is about what you bring to it.” Those two lines express very well my feelings about India. It grows on you, just like the characters is this movie. And I believe that’s what you’ll take away if you see this movie.

 

 

 

 

short-term memory serves well . . . in some cases

A few weeks ago as I was reading what I thought to be a new book I’d picked up at the library, I kept thinking Wait a minute! I’ve read this book already. But it was so funny, I just kept on reading. When I finally closed the book the last time, after nearly 600 pages, I still wasn’t sure that I hadn’t already read it, but that hadn’t kept me from enjoying it, perhaps just as much or more than I had before–IF there was a before. So I decided since I’m unable to garner the time to write the post I had in mind for tomorrow, I’d re-run one that I first published here November 9 of 2009. I shared it at a meeting today with a new writing group I’ve joined as a sample of the kind of things I like to write and it got some laughs, and reminded me how good it feels to laugh out loud sometimes. I think we could all agree that too many things are going on in the U.S. and worldwide that make it difficult to find the funny side of life, even in the interest of keeping your sanity. I leave it to better bloggers than I to write about those serious things. I’m always on a quest for the funny side of life I feel is almost as important. This is a true story. I prefer to present it as a story written in second person because the people you’ll read about here couldn’t possibly be anybody I know! And if I’m lucky, like me, maybe you’ll be old enough not to remember half of what you may have read here in 2009.

* * * * * * * *

For weeks she’d wanted to see the new Michael Moore movie, CAPITALISM. So that morning over breakfast, when she saw the calendar presented nothing more pressing or interesting to do, she suggested that maybe today would be a good day to go to a matinee and see it at last.

But when they arrived at the movie complex–chosen because it had stadium seating–the ticket seller said it was sold out. She glanced at the next showing, and sure enough that show was sold out too. So were the next two. It was barely past noon and no one else was in sight; they’d driven a full half hour to get here–they were several minutes early. Surely that could simply not be right! Were they even showing the movie there? Or was it a ploy to lure people in order sell tickets to one of the other movies?

It made her so angry she said no to her husband’s suggestion to see one of the other 20 or so movies on the schedule. Could they still make it to the one other theater in town where the movie was scheduled to start in half an hour? He said, sure they could make it. The first 10 or 15 minutes after showtime were always used for previews anyhow. Piece of cake. They’d just jump in the car in drive downtown and see it there.

So they did. The problem was, they were so far on the side of town they weren’t familiar with, and they weren’t sure of the theater’s address. While there was no question they could find the it, it might take time and they needed to find it FAST. It would be best to know exactly what street it was on. So she went to work fiddling with the GPS built into the car’s dashboard. The nice voice would tell them exactly where to turn and when. First she laboriously typed in the crossroads where they thought the theater was located. No luck. So then she tried typing in the name of the theater. Still no luck. She scowled every time her husband suggested she try some different. He always thought she was inept at figuring out electronic things. Grrrrrrrrrr!

No the problem lay in the system…at some point in the menu it would shift to another window and a quick decision had to be made about which option to press next and it kept leading her to dead ends anyway. So she tried again. And again. And again.

All the time she struggled, he keeps driving and his foot is pressing the pedal a little harder and he doesn’t even realize it. He’s getting frustrated because she’s beginning to cuss a little. Okay, a lot, calling the instrument panel a…well, just imagine you know, ’cause you surely do if you have a little imagination. He keeps telling her to watch her language, there’s no call for that, and suggesting things she’s tried already over and over again.

All that time she’s getting madder and madder because she knows the problem is not her, the problem is the GPS that won’t let her enter what she needs to enter, dumb machine. This thing is absolutely useless, she cries out in annoyance, at just about the same time she sees him glance in the rear view mirror and hears him say “Uh Oh!” Then she hears the siren and feels the car pulling over to the road’s right, hears a frantic motorcycle cop shout, over there, I’m right in the lane of traffic here! a sitting duck to get hit!” And he was, as they were on an Interstate highway with about five lanes of traffic and cars were whizzing by. Who could possibly know where they were supposed to pull over on an interstate highway when they’d never been pulled over on a multi-laned highway before?!

When they were all finally properly positioned, over to the left of the fassssssssst lanes that were separated from the traffic going the other way by the railings, the young cop–just doing his duty–leaned in and said I pulled you over because you were going 65 mph in a 50 mph zone. At least he didn’t holler as us, she thought.

She began to see dollar signs with wings on them flying out the car window while the two men talked. Her hubby didn’t bother arguing because he knew he was as guilty as they come. He had been driving way too fast all the while he was trying to tell his wife how to program the GPS on the dash, so neither of them noticed the speed change, and how could he help it if his foot kept getting heavier and heavier? After all was said and done the nice young cop only charged them with going five miles over the limit, which was only $105! It could have been much worse.

Now this was a couple who’ve been known to drive miles out of the way just to get something they need for a couple dollars less. They were so careful with their expenses and prided themselves on how inexpensively they’ve managed to live from month to month since their retirement. They even managed to afford some nice travel and new shoes now and then, and they’d never had to go without a meal because they were so frugal. Damned movie anyhow. Because of Michael Moore they were going to have to fork over $105 just like that.

Afterward, they swallowed hard and fought their way back into traffic from the fast lane side and when they got through bickering and trying to fix the blame and she said that he had no one but himself to blame because he was driving and that meant he was the one that had to pay attention to the road signs. She was tired being blamed for everything, so there. Put that in your pipe and smoke it. After a little more back and forth insulting, they finally cooled down a little, decided to laugh about it, it was only money after all, nobody had been hurt. So there they sat, mostly in silence, while they tried to decide what to do next. Maybe they should just go back home and watch television. That would be such a letdown, though, wouldn’t it?

No! she said emphatically. We can’t go home without doing something to distract us and take the bad taste out of our mouths. In he end, they looked at the clock and decided to go on and see the movie just like they’d planned, only downtown at the other theater. It was a cinch, he said, because the movies wasted so much time on previews anyhow so it wouldn’t matter if they were late. And after that she remembered the Yellow Pages under her seat where she could quickly look up the address in the black pages, so it was decided. Who needed electronic gadgets when they had a printed book of addresses under the seat?

They parked in the garage and rushed to the theater all out of breath. He plunked the plastic down and announced two for Capitalism please. The clerk swiped the card and handed him the receipt to sign. He was scribbling fast when she–just in case–thought it a good idea to ask has the movie started yet?

The clerk checked the schedule and looked at her watch and said Yes, it’s seven minutes in.

 Into the movie? she said.
 
 You mean into the previews, right? he said.
 
 No, the movie, the clerk repeated.
 
Seven minutes! More like eight now, she thought. “I don’t want to miss the first seven minutes,” she said. Sometimes the opening minutes are crucial to the whole film. So the clerk refunded their money, and the two of them walked dejectedly back to the car. At least they were able to get the parking ticket validated, they reasoned, so they wouldn’t have to pay for parking.
 
 Back in the car, the question arose for the second or third time that day, what to do now? Go home? It still seemed like a defeat go home, especially now that they felt insult had been added to injury. Give up, admit defeat–that they weren’t meant because of who knew what conspiracy by that first theater–to see a much anticipated movie on this day? There had to be something they could do to make them feel better–get control of their lives again.
Just as they were nearing the shopping strip where the Indian store was, she suggested they stop off to see if they could find some pre-made bhatura bread and frozen unsweetened coconut so they could go home and throw themselves into making a good Indian meal. Maybe some choli with the bhatura bread and some delicious coconut chutney. That would make both of them feel better.
 
There was no bhatura to be had. Maybe next week. Ugh! How many things can go wrong in one day!  Then she saw the fresh okra in the box on the table that held new shipments. It had been pretty much impossible to find fresh okra the whole summer. Not only did they have fresh okra there, it was fairly good okra–the tips still crisp, and the pods mostly small and tender. Fried okra always made her feel good. So she bought a whole lot of it along with the coconut they wanted.
They drove home and she cooked okra for dinner while he went online and paid the department of transportation $105 so he could get it out of his mind once and for all. Afterward, they agreed never to speak of it again. First one, and then the other, would begin to giggle like children who get caught licking the spoon in the candy pot when Mama’s not looking.
 
To this day they still haven’t seen the movie. Now they figure when they do see it, and they still hope to, they will always also associate it with a $105 speeding fine attached to it, thus it will always have the distinction of being the most expensive movie they’ve ever seen. And therein lies the dig. They figure if they wait long enough it’ll come out on DVD and be available at the RedBox rental kiosk where they can pick it up for overnight for just $1, then it’ll only have cost them $106.

legend of Atanajurat, The Fast Runner

(pictures courtesy Wikipedia Commons)

The Anthropological Film Society in our city screened an especially interesting movie a few nights ago, about the Inuits living on Baffin Island in Northeastern Canada, just above the Arctic Circle. In the pre-movie discussion, we learned that even though “Inuit” is the Canadian preferred, shall-we-say more “politically correct” term, the Inuits themselves prefer to be called Eskimo. If I could ask you–what do you remember about the Eskimo you learned about in grammar school?–chances are pretty good (for sure, if you’re American) that the first answer to pop into your head might be an image of two genderless people pressing their noses together in an icy arctic setting. That was the way Eskimos kissed. For a few days we kids would pretend to be Eskimos, blatantly rubbing our noses together in play because it was weird. We enjoyed annoying our teachers in whatever underhanded way possible for the times, which were admittedly tame compared to the mischief kids can cause these days. Other than that, we also knew that they lived in igloos “way up north,” even further north than “Yankee country” and knew furthermore that we probably would never meet one. That’s all changed now, thanks to a movie Hubby and I attended a few nights ago, Atanajurat (The Fast Runner) .

The goal of this first-ever Inuit written, produced, directed, and acted feature-film was to give international audiences a more authentic view of the Inuit (Eskimo) culture and oral tradition than the silly one I’ve related above. It shows how Inuit communities survived and thrived in the Arctic a thousand years ago. Talk about hard times! You’d think if a culture could survive conditions in the Arctic region then, today would be a piece of cake. But, according to Director Zacharias Kunik, “After four-thousand years of oral history silenced by fifty years of priests, schools, and cable TV,”  a movie like this will give Inuit audiences more positive and correct images of themselves. At the same time, it opens the possibility that this new storytelling medium of film is a way to help today’s Inuit communities, still limited by harsh conditions and limited opportunities, might continue to thrive long into the future.

The running time is 170 minutes, but I was so engrossed with this very different scenario about a people I hardly knew anything about, I hardly felt those nearly three hours! And the seats in the art museum’s auditorium weren’t all that comfortable. Made in the late 90s, debuting in 2001, The Fast Runner went on to become Canada’s top-grossing release of 2002, and in 2004. It was included in the list of Canadian Top Ten Films of All Time, and went on to win many more awards, including one at the 2001 Cannes Film Festival. What fascinated me most, however, was that the movie managed all this with a cast made up entirely with members of the community of Igloolik. In earlier Isuma dramas as well as the 13-part Nunavut (Our Land) Series shown on Igloolik community TV (1995-2007), the actors were given a general storyline and then improvised action and dialog. In this movie, the Director (Kunik) required the actors to learn and work from a script. With mixed success, according to Professor Loab, the anthropology professor who held a copy of the script in the air during the post-movie discussion period. The complicated plot is  based on an Eskimo legend of Atanajurat, and difficult as it was for me to distinguish characters and names, it all came together at the end.

In 1000 A.D., evil in the form of an unknown Shaman divides a small community of nomadics, upsetting its balance and spirit. Circumstances require Atanajurat to restore balance by enduring and conquering this evil menace. Basic plot:

Centuries ago, in what would become the Canadian Arctic, Atuat is promised to the malevolent Oki, son of the leader of their tribe. But Atuat loves the good-natured Atanarjuat, who ultimately finds a way to marry her. Oki’s sister, Puja also fancies Atanarjuat, and when she causes strife between him and his brother Amaqjuaq, Oki seizes the opportunity to wreak a terrible revenge on Atanarjuat. The legend this film is based on ends with the hero killing the brothers who have been tormenting him.

Paul Apaq, the writer, rewrote the ending for the film because he felt that a message of hope was needed. If you want to know the ending you’ll not hear it from me, but I’m happy to note the movie is available on Netflix, though only to DVD subscribers. Hopefully, it will be available for instant streaming very soon. I hate to end on a sad note, but writer Paul Apaq–who also played the part of Oki, incidentally–died in 1998, before the film was brought to the screen. Isn’t it too bad he didn’t live to see the impact his new ending gave to this oral Eskimo legend!